The problem is not writing, it is proving the writing is new
Vietnamese storytelling channels on YouTube are largely a copy economy. Someone finds a video that performs, feeds the transcript to an AI, asks for a rewrite, and publishes a narration of a narration. It works until it does not — the platform demotes it, the original creator complains, and the channel has no defence because nobody ever measured how close the output was to its source.
So originality is not a feature of Kể, it is the product. The app takes the reference transcript, the finished script, and measures the distance between them twice: 8-word shingle overlap must stay at or under 3%, and a multilingual-e5-small embedding pass flags any paragraph scoring above 0.92 cosine against a source paragraph. More than 10% of paragraphs flagged and the episode fails the gate. The AI does not get to grade its own homework — it reports scores, and the engine independently measures the text.
The calibration behind that 0.92 is the part that took the longest. A close paraphrase measured 0.948; two passages on the same topic but genuinely different content measured 0.875 to 0.906. The threshold sits in the gap. We also learned to ignore source paragraphs under 60 characters, because a one-line note on the same subject cannot meaningfully be the thing you plagiarised.
